REVIEW: A Loss For Words – Returning To Webster Lake

A Loss For Words

Artist: A Loss for Words
Album: Returning to Webster Lake
Genre: Acoustic
Label: Velocity/Rise Records

Acoustic albums, as I’m sure I’ve stated previously, can be hit and miss. They also tend to evoke the cynic in me a little too often. A lot can be attributed to sheer laziness or lack of inspiration, with the band choosing to re-record old songs and offer a ‘fresh’ perspective instead of coming up with something new. A Loss for Words’ Returning to Webster Lake is not one for the cynics however. These are not musicians who want for productivity, and their use of the acoustic setting allows the stirring, personal force of their music to really shine through. For once, the format enhances rather than re-imagines the songs, offering a sincere and heartening take on existing material.

Matt Arsenault’s strong vocals, which lent a velvety nature to the originals, lead with similar beauty on this EP. He infuses the music with warmth and optimism and carries the entire affair with an eye-catching presence. There’s a divine simplicity to these songs in acoustic format, yet it’s not so stripped back as to mire the EP in blandness or boredom. “Hold Your Breath” is thoughtful and tender, without leaning too much on the intimate feelings expressed. The vocals ensure the story has a robust heart, and add a touch of the bittersweet as it peters out. “Finite” and “Pirouette” are more overtly romanticised in sound. The tone is sweeter and less intent, highlighting emotion more so than determination. Some of the more impassioned vocals on “Finite” sound a little too harsh on the music, but Jardine’s contributions balance these well. “Pirouette” enthrals with gorgeous harmonies, turning introspective with soft and meaningful performances.

Returning to Webster Lake isn’t all sweet nothings, however. The band makes excellent use of the acoustic format to style aggressive tracks in a more affecting way. “The Hammers Fall” is laden with spirit and force and has such vivid life here that it compels far more than in its original form. Arsenault is a rousing presence, complementing the rush and keenness in the instruments and evoking the pressing need of the lyrics. “Raining Excuses” is venomous in a more subtle way. It’s harsh but understated, the grim realism of the music reflecting an honest and piercing resentment. In these offerings, the human side of the originals becomes more forthright – rather than being drowned out by ravaging guitars, it takes on a frank humility and speaks more clearly.

“All I Want Is You” is a quirkier offering, ensuring the album isn’t entirely rooted in a mixture of affectionate odes and spirited rebukes. The rhythm on this is excellent – sultry and confident, it hews the track with a rougher edge. The lyrics have an inclination towards grim remorse and it is more perhaps more fixated than the others, but it has a refined and mature sound that maximises the airy nature of the set-up.

Returning to Webster Lake isn’t an especially unique take on the acoustic genre, but it is really fresh and enjoyable listening. A Loss for Words demonstrate an ear for detail and vividness that’s perhaps not always present in their usual offerings, and breathe new life into their songs with these careful renditions. It is charming and sweet and a beautifully realised work.

SCORE: 9/10
Review written by Grace Duffy

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